With the world in chaos wrought by Covid-19, Radiolab looks back at the broader impacts of the last global pandemic. There are convincing links that are made between the Spanish Flu and the negotiating of the Treaty of Versailles (and as a result, the rise of the Nazis), the fight for India’s independence, and every single flu death in the 100 years since. At one point the producer gives this haunting description of the flu: “In those rooms where Wilson and Clémenceau are sitting, that there’s this other chair there, this empty chair. You know, it’s over by itself, no one’s paying attention to it. And I just keep thinking how it was almost as if the virus itself kind of had a seat at the table”.

You don’t have to look hard to see how the Covid virus is stealthily occupying many seats at many tables right now (albeit virtual tables).

Confusingly, the opening story is told by the voices of Jad, Tad and Pat. Bear with them it’s worth it.

Radiolab publishes transcripts of every episode. Kudos.

This episode chronicles the history of the word ‘pornography’, which arrived in English in the 1840s. The reason involves archaeology, sexual art, sexism (surprise surprise!) and prudishness.

An interview with Ben Naddaff-Hafrey, lead producer for The Last Archive, a history podcast hosted by Jill Lepore, writer for the New Yorker and historian who teaches at Harvard. (Sidenote, check out The Last Archive. It’s an excellent series that attempts to answer the question: ‘who killed truth?’ by tracing the history of evidence, proof, and knowledge. I don’t love all the stylistic choices in this production but the narrative and arguments are solid).

The interview with Ben Naddaff-Hafrey focusses on his approach to the sound design for the Last Archive. The sound vibe of the thing is 1930s radio drama and they went to impressive lengths to create it. Likewise, he didn’t just use a library of sound effects, but instead went looking in a literal library, and uncovered some exceptional stuff. I’ve got to admit, I liked the sound design in The Last Archive a lot more after listening to this.

“Four women whose husbands were made martyrs (shuhada) – in the Christchurch mosque attacks of March 15, 2019, have allowed us into their lives as they come to terms with their new reality – Widows of Shuhada.” This is an intense series on many levels. The stories of these woman who lost their husbands in a brutal attack are gut-wrenchingly sad. One woman was four months pregnant when her husband died, and is now caring for an infant alone. Another was present at the mosque that day and witnessed the terror and violence. All the women speak eloquently and share their stories with generosity and honesty.

As a non-religious person, I find the careful explanations of Muslim ideas and practises interesting and, at times, confronting. I find it hard to get my head around the idea that the men who were killed were chosen by Allah, and being chosen in this way is an honour….

The production team behind this series presented at Audiocraft and it was one of my favourite sessions, along with a fellow RNZ presentation – that of the team behind White Silence (which if you haven’t listened to, you should). It was so refreshing to hear non-American perspectives on storytelling and audio.

The series description: “a dizzying, dazzling satirical river of sound”, is entirely accurate. Listening to The Skewer feels like floating downstream, bouncing between dreamlike memories of events and ideas of 2019 and 2020.

This is the first of six episodes (each is in two parts for no apparent reason).

Two BBC Radio 4 recommendations in one month – they do what they do very well.

This series – part of the Intrigue feed that includes The Ratline, another acclaimed series to which I am yet to listen – tells the story of a tunnel from east to west Berlin, and the 29 people who escaped through it in 1962. It’s a remarkable story, expertly told by Helena Merriman. Each episode ends on a cliff-hanger which is slightly irritating but extremely successful in encouraging you to listen to them in quick succession.

I’ve included the trailer audio here.

A typically excellent Terry Gross interview with journalist James Nestor, author of ‘Breath: The New Science of a Lost Art.’ Chances are you’ve been paying a lot more attention to your respiratory system of late, but this will make you think about it in a new and exciting way. Humans take about 25,000 breaths per day, giving it little thought, but how and where you breathe can have a big impact on your health.

There’s also a great review of a new album of Transylvanian folk songs.

Let’s be honest, it feels like we’re living in some sort of dystopia right now. A setting for a sci-fi or spooky video game. As it turns out, a very similar situation was played out World of Warcraft (a multiplayer online game). In 2005, the game was taken over by a virus called Corrupted Blood, and people behaved a lot like we’re seeing in the real life version right now. . I talk with epidemiologist and gamer Eric Lofgren, NYU game design instructor Alexander King and longtime player Virginia Wilkerson about the parallels between the pandemic in World of Warcraft the one we’re facing in the real world, and what lessons we can learn by studying how players reacted to a virtual virus.

This episode is from 2016 but I found it on a list of recommendations being shared around all the Black Lives Matter protests that were taking place in June. It’s hosted by Roxane Gay who is excellent at it. It’s about just how complex racial identity in the U.S. because, in Gay’s wise words: “race is an invented category rooted in slavery”. In this episode we hear the voices of four people who, at one time or another, have had to answer the question: “What are you?”